[from the interview by David Campany]
Immediately after Zuma I made some rather straightforward photographs of the abandoned MGM Studios New York City back lot, in Culver City, Los Angeles.
These were in black and white. I then decided to try something entirely different and around 1980 I started a body of work about things you can’t photograph: Gravity, Magnetism, which way water drains, and the things I see when I press my eyes with the palms of my hands.
All of these images required the construction of some kind of visual metaphor.
“We turned off the highway and crossed the Mapocho River, and I finally saw the city, now completely covered in graffiti, like an open book, polyphonic, aggressive, miraculously legible. Like a book where everyone had underlined a different passage.”
One cut and folded sheet of paper